Novels-in-Stories

A reader of this blog recently asked me to send cite ten examples of a novel-in-stories. And, somewhat to my surprise, Google searches along the lines of “novel-in-stories examples” are the number one way people who don’t know me have found this blog. In fact, if you do that Google search, my site is usually listed first. Who knew?

See my sidebar and click the page Claudia: a Novel-in-Stories for my own definition of the form–in particular, how it differs from a collection of linked stories. There is a Barnes & Noble listing that combines the two, and includes some books (like Annie Proulx’s Accordian Crimes) that don’t seem to belong. There are also multiple listings for a number of titles, and some significant exclusions, but it’s worth a look. And at his fine blog Perpetual Folly, Cliff Garstang has a series of Missing Links posts where he, too, throws the two forms in together. (He posted eight short reviews late last year and hasn’t added one for a couple of months–but he’s teaching and writing and promoting his own story collection, In an Uncharted Country.) The two forms certainly belong on the same continuum, though in my mind there’s a clear aesthetic distinction to be made.

All that said, here’s a not entirely unbiased list of mostly recent examples:

  • Olive Kitteridge, Elizabeth Strout (which won the 2009 Pulitzer)
  • Stones for Ibarra, Harriet Doerr (a National Book Award winner, published before the term was in vogue, but very much with that feel)
  • Up the Junction, Nell Dunn (also pre-dates the term)
  • A Brief History of the Flood, Jean Harfenist (who used to belong to a writers group I’m in)
  • Normal People Don’t Live Like This, Dylan Landis
  • More of This World or Maybe Another, Barb Johnson (which I’m reading and will later review for The Short Review)
  • Our Kind, Kate Walbert
  • Monkeys, Susan Minot
  • How to Hold a Woman, Billy Lombardo
  • O Street, Corrina Wycoff
Published in: on January 21, 2010 at 2:30 pm  Comments (7)  
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Dylan Landis

Last night I went to a wonderful reading at Diesel Bookstore in Brentwood: Dylan Landis, reading from her new novel-in-stories, Normal People Don’t Live Like This. As a writer working on a novel-in-stories myself, one also centered on a difficult and complicated female character, and who’s been exposed to some of Dylan’s work, I have been keenly awaiting the arrival of this book.

Dylan read from the story “Underwater,” which revolves around, among other things, a charged friendship between the main character, teen-aged Leah, and her bad-girl friend Angeline. When Angeline brags to other girls how smart Leah is, “Leah glows as if Angeline has put a match to her.” They have one kind of dynamic in a group: “but when they are alone together Angeline is a knife under folds of silk and Leah can’t look away.”

More on Normal People Don’t Live Like This after I’ve had a chance to read the book cover to cover. Some of the stories have been previously published in journals like Tin House, Bomb, Night Train, Santa Monica Review, and St. Petersburg Review. The book has been praised by writers like Janet Fitch (White Oleander) and Elizabeth Strout (the Pulitzer-winning Olive Kitteridge).

Sotto Voce

I have a new story out in the second issue of this fine online journal. It’s called “Secret World” and is one of my Claudia stories.

A few things of note about Sotto Voce. From the start, they made a commitment to pay writers. It’s not a lot, but it’s more than a token amount, and they’ve already upped their rate from Issue 1. They also have a feature that allows readers to vote for what should be included in their print anthology. Finally, instead of the standard form rejection, they send writers brief notes from each editor/reviewer who read the piece.

Journals that show such respect for writers deserve our support. So check them out; vote for your favorite stories & poems; and order the print anthology when it comes out.

Finally, read a fascinating interview with editor Emily Thorp on Sotto Voce‘s unique review process, and some very humbling number crunching.

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